Some babies shake rattles and others shake up kingdoms. We hear many stories of the unhappy lives and ends of child rulers. Most recently, in 1908, Puyi became the last emperor of China at only two years old. As the crowning ceremony began, the frightened little emperor had to be carried to the throne by his father as he cried, kicked, and clawed – desperately trying to escape. But he had no choice. A child though he was, he had to rule an empire.
We would often see her images and, perhaps just as often, forget her name. In paintings, she is a beautiful tragic figure, looking up helplessly towards a Roman soldier standing over her. However, in 16th century Europe, there was no other ancient name that fuels an artist’s imagination like “Lucretia”.
Chinese mythology and cosmology rest on the concept that the universe is shaped and maintained by two fundamental forces called yin and yang. They are opposites yet complementary forces that interact to form a dynamic system where the whole is greater than the assembled parts.
In “Civilization of China” (1911), Herbert Giles wrote that “for pleasure pure and simple, independent of gains and losses, the theater occupies the warmest place in every Chinaman’s heart”. The fact that the Chinese theater is also known by the name guo cui (“quintessence of the nation”) solidifies its prestige as the most important form of entertainment in China where it has been for centuries.
The people of ancient Rome knew of a tragic hero Drusus (Drusus the Elder), the younger brother of Tiberius who died in a campaign. But there was another, younger and lesser known, Drusus in Tiberius’ family. He was Nero Claudius Drusus (Drusus the Younger, nicknamed Castor), the only son of Tiberius. The elder Drusus may have been a hero, but Castor seemed to be mostly overlooked first by his own family, as well as future historians.
Although the subject of strong women in history is always fascinating, it is a widely recognized but often forgotten fact that the greatness of a queen could not have occurred without the positive support of the male population, just as the king’s power could be maintained only because women also supported them. No power would survive for long against the apathy or opposition of half of the population. Therefore, although sons, brothers and grandsons were the only ones with an officially recognized right to inherit power, the ancient East also knew many female leaders who were successful rulers of kingdoms. In fact, Islamic history is riddled with crises that threatened to destroy a number of dynasties had it not been for the intervention of women.
Despite the numerous charges against him by ancient writers, there are also evidence that Nero enjoyed some level of popular support. A poem dated about two centuries after Nero’s death proclaims Nero a man “equal to the gods,”
At the end of the eighteenth century, the British began reforming their prisons. Prisons previously provided next to nothing to their occupants, according to U. R. Q. Henriques’ 1972 article “The Rise and Decline of the Separate System of Prison Discipline.” Families were forced to bring in food and blankets, and guards were bribed on a regular basis. People were worried that once prisons started providing necessities, the poor would commit crimes just to get free stuff. Such luxuries necessitated labor—ideally, painful and pointless labour.
The Matrikas have existed from as early as the Indus Valley civilization (3300–1700 BCE). The Rigveda (c. 1700–1100 BCE) merely refers to them a group of seven mothers who control the preparation of soma (the drink of the gods).
The year 1386 was the worst year of Geoffrey Chaucer’s life. But this was also the year where he made the best decision in his life. After a long period of going through every kind of worldly and professional upheaval, he set out to write his Canterbury Tales.
Born in Arezzo in 1492, Aretino amassed considerable wealth and influence through his clever, astutely observed satirical writings and verse. He was forced to flee Rome after his sonetti lussuriosi (“Lustful Sonnets”), describing the sixteen positions depicted in Raimondi’s erotic engravings, scandalised society
The two major Hindu epics, the Ramayana and the Mahabharata, still appear widely in popular folk drama, tales and art all over Southeast Asia with slight adaptations in all the myriad cultures of the region. Scenes from the epics are illustrated in the relief sculptures of temples such as the Angkor Wat in Cambodia, the Rama temple in Malaysia, and mural painting in Vat Oup Moung, a Buddhist monastery in Vientiane, Laos. The five Pandava brothers of Mahabharata especially became blue prints in many traditional cultures of the south and southeast Asia as the perfect heroes. Kings claim descendants of the brothers, and their names are used for temples and streets even to this day.