Sword dancing has found its place in many different cultures. In Asia, the sword dance is often used for plot descriptions and characterization in Chinese opera. In Pakistan and Nepal, military dances are still commonly performed for weddings and other occasions. In India, the Paika Akhada (“warrior school”) previously used to train Odisha warriors, is performed in the streets during festivals. Sword dances are also performed all over Europe, particularly in areas corresponding to the boundaries of what used to be the Holy Roman Empire.
Ancient cultures around the world saw the sea as a dangerous place, filled with beings who preyed upon people – especially men. The legatus of Gaul once wrote to Emperor Augustus claiming that he found a considerable number of nereids dead upon the sea-shore. Although most retelling of the Odyssey depict the sirens as little more than dangerous women leading men to their deaths, there have also been some studies that provide more depth.
He is the last of the distinguished family line of guardians of the Holy Grail. But he was wounded. He was not only unable to fulfill his duties, he was also unable to father a next generation to carry on after his death. His impotence affected the fertility of his land, reducing it to a barren wasteland. All he could do was fish in the river near his castle and wait for the elusive “chosen one” who could heal him.
The art of dance was incorporated in many religious rituals and festivals of ancient civilizations. From the third millennium BC, ancient Egyptians started to use dance as an integral part of their religious ceremonies, using dancers to perform important events such as divine tales and celestial patterns of shifting sun and stars. In ancient Greece, dance was very freely used for public purposes until it eventually brought about the birth of the popular Greek theatre in the 6th century BC. The first person in history to be called drummer was a woman – a Mesopotamian priestess, in fact.