In an ideal world, celebrating one gender should not come at the expense on another. But we are not living in an ideal world. The roles of the women in Mahabharate are defined by their relationships to the men, women are placed merely on the periphery of the epic – typecast as devoted mothers, virtuous wives and innocent maidens. Amba is a different character from the women in the epic. She had to pay the price for her courage to speak her mind against the most powerful man of the age.
Serat Rama is a composition of the old Javanese song Ramayana Kakawin, composed at around 870 AD. In the poem Rama, the seventh avatar of the Hindu god Vishnu, explained the concept of leadership to Wibisana, the new king of Alengka. After watching his extended family die on the battlefield, Wibisana was unwittingly put in the unexpected and unwanted position of being the next king of Alengka. Seeing this Rama, who battled and killed Wibisana’s elder brother Rahwana, gave him a crash-course on leadership called Astabrata, a teaching about obligation of a great king.
We often hear something being dismissed as “just a myth” to imply that it is not true. In fact, “myth” and “truth” are often seen as opposites. If it is not analysed, written down in reports … Continue reading The Comfort of Mystery: In Defense of Mythology
In South Australia, a tribe in Encounter Bay tells this story: In remote time an old woman, named Wurruri lived towards the east and generally walked with a large stick in her hand, … Continue reading The More Languages You Know… : Learning Languages in the Ancient World
Although this month I have spoken about the Ancient Greek femme fatales starting from the sirens to Aphrodite herself, the trope did not stop there. We can also find an … Continue reading Charm of the Ancient Enchantress: The Evolution of the Dangerous Woman
Long before the Virgin Mary gave birth to Jesus, other virgins also gave birth to divine sons. However, these sons were kept secret…