Tag: martini fisher

By Martini Fisher Posted on

Blame it on the Theater: The Joys of being Actors and Actresses in Ancient Rome

The church tried to ‘release these unhappy slaves of a cruel voluptuousness’. By the time of Valentinian I, who reigned from 364 to 375 AD, the church had gained considerable grounds in ‘rehabilitating’ performers and introducing them into respectable society. An actress who, on her death bed, asked for and received the last sacraments, had to promise to never return to her ‘hateful’ theatrical life in case she recovered. This was just one episode of of the many adventures of actors and actresses in ancient Rome

By Martini Fisher Posted on

A Story of Castor, the Refreshingly Quiet and Surprisingly Competent Politician of Ancient Rome

The people of ancient Rome knew of a tragic hero Drusus (Drusus the Elder), the younger brother of Tiberius who died in a campaign. But there was another, younger and lesser known, Drusus in Tiberius’ family. He was Nero Claudius Drusus (Drusus the Younger, nicknamed Castor), the only son of Tiberius. The elder Drusus may have been a hero, but Castor seemed to be mostly overlooked first by his own family, as well as future historians.

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The Rise of Al-Khayzuran: A Story of a Strong Woman and the Man Beside Her

Although the subject of strong women in history is always fascinating, it is a widely recognized but often forgotten fact that the greatness of a queen could not have occurred without the positive support of the male population, just as the king’s power could be maintained only because women also supported them. No power would survive for long against the apathy or opposition of half of the population. Therefore, although sons, brothers and grandsons were the only ones with an officially recognized right to inherit power, the ancient East also knew many female leaders who were successful rulers of kingdoms. In fact, Islamic history is riddled with crises that threatened to destroy a number of dynasties had it not been for the intervention of women.

By Martini Fisher Posted on

The Uneventful Love Life of the Great God Pan

Pan’s nature was always one of paradox: an uncivilized god in a civilized world. His first role was that of the shepherd, the guardian between civilization and the wild. Much like the goat, which could never truly be domesticated, Pan has always retained a bit of his feral nature. He was among the most popular of the ancient Greek gods, yet his cult never had the far-reaching impact enjoyed by the cults of Dionysus, Athena, and Apollo. Pan is also famous for his unfettered sexuality, yet was rarely successful in his courting.

By Martini Fisher Posted on

The Divine Beloved

Not much was known of the young Antinous before he attracted the attention of the ruler of the Roman world at its height. He was born in Bithynia, the northwest corner of the country that we now call Turkey, in the year 111 CE. He was very likely not from a wealthy family. However, because of his mysterious bond with Roman Emperor Hadrian, by the end of his short life Antinous was a house-hold name all over the Roman Empire.

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Our Lady Monks, Mothers of the Desert

Theodoret of Cyrrhus (423–457) tells us that when little girls played games in forth-century Syria, they played monks and demons. One of the girls, dressed in rags, would reduce her little friends into giggles by exorcising them. This glimpse into a Syrian childhood scene points to the prestige of the monk figure and may serve as a preview to what must appear in this modern age as a somewhat strange theme in the setting of Christian hagiography—the woman monks of the deserts. Women who disguised themselves as monks and lived as hermits, or as members of the male monastic communities is a recurring theme in the first and oldest layers of Byzantine history.

By Martini Fisher Posted on

The Legend of the Cowherd and the Weaver Girl

In Japan, the annual meeting between the two stars is equally celebrated as the Tanabata (“Weaving Princess”) Festival. Traditionally, a bamboo plant would be brought into the house, and a picture of the two stars would be hung upon it. The Altair star is represented as a farmer leading a cow, and the Vega star is a princess with a loom. These celebrations originated in the ancient story of the Cowherd and the Weaver Girl.

By Martini Fisher Posted on

The Warrior Priests of the Goddess of Love

An ancient legend says that Targitaus, a supernatural being who dwelled in the Black Sea domain, has three sons. Together, the three brothers ruled the land until four golden implements fell from the sky. The implements were a plow, a yoke, a battle-ax and a drinking cup. Suddenly, the four implements began to blaze. Out of the three brothers, it was Colaxais, the youngest brother, who was the only one able to pick up the burning objects. Thus, Colaxais became the first sole ruler of the Scythian kingdom. The culture of the Scythians, a group of ancient tribes of nomadic warriors who lived in what is now southern Siberia, flourished from around 900 BC to around 200 BC.

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The Five Eternal Virgins of Ancient India

Five is one of the mystical numbers according to Hindu belief.  There are five ingredients prescribed for worship: wine, fish, flesh, lard and chant, corresponding to the five senses in the human body: taste, smell, sight, touch and hearing. It is also believed that nature manifests itself in five forms: earth, water, fire, wind and sky. Each kanya is born of one of these elements, and these five elements of nature formed the essence of their characters.

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The Rise and Fall of the Forgotten Empire

Even with its riches and long history, Srivijaya was, for a long time, largely forgotten. Although Palembang, the capital of Srivijaya became a part of Indonesia, even the modern Indonesian people never heard of the empire until the first hint of its existence was alluded to by French scholar George Coedes who published his findings in Dutch newspapers in 1918, based on inscriptions found in Sumatra and the Malay Peninsula. It was not until 1992 that another French scholar, Pierre-Yves Manguin, pin-pointed the center of Srivijaya as the Musi River, between Bukit Seguntang and Sabokingking in South Sumatra.

By Martini Fisher Posted on

Ancient History of Shadow Puppetry

The art of shadow puppetry, or shadow play, is an ancient form of storytelling which utilizes flat translucent screen. It has a long history in China, India, Nepal, and Southeast Asia, as well as in Turkey and Greece, surviving everything from war and famine to cultural revolutions. Shadow puppetry is so embraced by many different cultures that each culture seems to have their own history and legend of the first shadow play performance— therefore claiming it, or at least different versions of it, as their own.