The people of ancient Rome knew of a tragic hero Drusus (Drusus the Elder), the younger brother of Tiberius who died in a campaign. But there was another, younger and lesser known, Drusus in Tiberius’ family. He was Nero Claudius Drusus (Drusus the Younger, nicknamed Castor), the only son of Tiberius. The elder Drusus may have been a hero, but Castor seemed to be mostly overlooked first by his own family, as well as future historians.
Although the subject of strong women in history is always fascinating, it is a widely recognized but often forgotten fact that the greatness of a queen could not have occurred without the positive support of the male population, just as the king’s power could be maintained only because women also supported them. No power would survive for long against the apathy or opposition of half of the population. Therefore, although sons, brothers and grandsons were the only ones with an officially recognized right to inherit power, the ancient East also knew many female leaders who were successful rulers of kingdoms. In fact, Islamic history is riddled with crises that threatened to destroy a number of dynasties had it not been for the intervention of women.
Pan’s nature was always one of paradox: an uncivilized god in a civilized world. His first role was that of the shepherd, the guardian between civilization and the wild. Much like the goat, which could never truly be domesticated, Pan has always retained a bit of his feral nature. He was among the most popular of the ancient Greek gods, yet his cult never had the far-reaching impact enjoyed by the cults of Dionysus, Athena, and Apollo. Pan is also famous for his unfettered sexuality, yet was rarely successful in his courting.
Despite the misogyny in the ancient world, discussions and debates about gender equality has also started (or, at least, made famous) by an unlikely source: male philosophers.
Not much was known of the young Antinous before he attracted the attention of the ruler of the Roman world at its height. He was born in Bithynia, the northwest corner of the country that we now call Turkey, in the year 111 CE. He was very likely not from a wealthy family. However, because of his mysterious bond with Roman Emperor Hadrian, by the end of his short life Antinous was a house-hold name all over the Roman Empire.
Theodoret of Cyrrhus (423–457) tells us that when little girls played games in forth-century Syria, they played monks and demons. One of the girls, dressed in rags, would reduce her little friends into giggles by exorcising them. This glimpse into a Syrian childhood scene points to the prestige of the monk figure and may serve as a preview to what must appear in this modern age as a somewhat strange theme in the setting of Christian hagiography—the woman monks of the deserts. Women who disguised themselves as monks and lived as hermits, or as members of the male monastic communities is a recurring theme in the first and oldest layers of Byzantine history.
In Japan, the annual meeting between the two stars is equally celebrated as the Tanabata (“Weaving Princess”) Festival. Traditionally, a bamboo plant would be brought into the house, and a picture of the two stars would be hung upon it. The Altair star is represented as a farmer leading a cow, and the Vega star is a princess with a loom. These celebrations originated in the ancient story of the Cowherd and the Weaver Girl.
An ancient legend says that Targitaus, a supernatural being who dwelled in the Black Sea domain, has three sons. Together, the three brothers ruled the land until four golden implements fell from the sky. The implements were a plow, a yoke, a battle-ax and a drinking cup. Suddenly, the four implements began to blaze. Out of the three brothers, it was Colaxais, the youngest brother, who was the only one able to pick up the burning objects. Thus, Colaxais became the first sole ruler of the Scythian kingdom. The culture of the Scythians, a group of ancient tribes of nomadic warriors who lived in what is now southern Siberia, flourished from around 900 BC to around 200 BC.
Five is one of the mystical numbers according to Hindu belief. There are five ingredients prescribed for worship: wine, fish, flesh, lard and chant, corresponding to the five senses in the human body: taste, smell, sight, touch and hearing. It is also believed that nature manifests itself in five forms: earth, water, fire, wind and sky. Each kanya is born of one of these elements, and these five elements of nature formed the essence of their characters.
Even with its riches and long history, Srivijaya was, for a long time, largely forgotten. Although Palembang, the capital of Srivijaya became a part of Indonesia, even the modern Indonesian people never heard of the empire until the first hint of its existence was alluded to by French scholar George Coedes who published his findings in Dutch newspapers in 1918, based on inscriptions found in Sumatra and the Malay Peninsula. It was not until 1992 that another French scholar, Pierre-Yves Manguin, pin-pointed the center of Srivijaya as the Musi River, between Bukit Seguntang and Sabokingking in South Sumatra.
The art of shadow puppetry, or shadow play, is an ancient form of storytelling which utilizes flat translucent screen. It has a long history in China, India, Nepal, and Southeast Asia, as well as in Turkey and Greece, surviving everything from war and famine to cultural revolutions. Shadow puppetry is so embraced by many different cultures that each culture seems to have their own history and legend of the first shadow play performance— therefore claiming it, or at least different versions of it, as their own.
They are rarely mentioned in historical records but female warriors have increasingly been studied and researched. Of female martial artists, the accounts are rarer still, and generally become a mix of historical facts and legends. One such story is the Shaolin Abbess Ng Mui, her student Yim Wing Chun, and their roles in the conception of a martial art called the Wing Chun Kung Fu.