In Japan, the annual meeting between the two stars is equally celebrated as the Tanabata (“Weaving Princess”) Festival. Traditionally, a bamboo plant would be brought into the house, and a picture of the two stars would be hung upon it. The Altair star is represented as a farmer leading a cow, and the Vega star is a princess with a loom. These celebrations originated in the ancient story of the Cowherd and the Weaver Girl.
Five is one of the mystical numbers according to Hindu belief. There are five ingredients prescribed for worship: wine, fish, flesh, lard and chant, corresponding to the five senses in the human body: taste, smell, sight, touch and hearing. It is also believed that nature manifests itself in five forms: earth, water, fire, wind and sky. Each kanya is born of one of these elements, and these five elements of nature formed the essence of their characters.
Crossdressing is recorded around the world from the ancient past up to the present. In the ancient world, cross-dressing often mirrored gender-crossing actions of deities. In this context, it was tolerated, even supported, as an aspect of religious devotion. Also in this context, the transformation of gender is often associated with the process of coming closer to divinity by breaking down the categories of ordinary human experience. The manipulation of dress, therefore, is the most visible and convenient way for human beings to do what divine beings accomplish by other means, including crossing gender.
Richard Wagner’s 19th century opera, Der Ring des Nibelungen (The Ring of Nibelungen), affectionately known as the “Ring” Cycle, may be considered by many as the height of operatic absurdity, with larger than life staging, costumes and voices. The image is so ingrained in the modern consciousness that opera lovers and non-lovers alike associate the opera, specifically the character of Brunhilde, with a heavy-set female opera singer wearing her hair in pig-tails, costumed with horned helmet and armor. As the opera went on to make its mark on popular culture, from featuring in an episode of Bugs Bunny to inspiring a Quentin Tarantino film, Brunhilde became a more visually recognizable figure.
The koala is a major draw for Australian zoos and wildlife parks. They are featured heavily in Australia-related advertisements, cartoons, and soft toys. If one were to name the animal most closely associated with Australia, it is very likely that the koala or the kangaroo would be mentioned. Personality-wise, the koalas’ most enduring quality is probably their laid-back nature. They generally look as happy and comfortable being in the arms of humans as they are climbing trees and eating eucalyptus leaves.
Legends about the Ebu Gogo go back to early western exploration of Flores by the Portuguese in 1511 CE, who heard that there was a tribe of wild men and women who stole food and kidnapped children.
Nyai Roro Kidul is a well-known figure in Javanese mythology who is still venerated by the Javanese today as the spirit queen of the Indian Ocean. Living in her palace on the bottom of the ocean off the south coast of Central Java, she rules the ocean, the spirits, nymphs, and other beings from the underworld.
As fire is “divine” and heavily associated with creation (creation of food, creation of warmth and so on), a lot of ancient myths imply that fire was meant for the gods, not mankind, to control. Therefore, the giving of fire or, more often, the theft of fire for the benefit of humanity who were not meant to hold such power, is a theme that recurs in many world mythologies.
Stories of Hanuman’s heroic deeds have been passed down through generations for thousands of years. us monkey was born in East Asia through the first Chinese novel Hsi-Yu Chi (“Journey to the West”). The story is based on a Buddhist monk who journeyed to India in search of Buddhist sutras from 602-664 CE. Protecting him on his journey, according to the book, are four companions also led by a divine monkey, Sun Wu Kong.
Apart from being a shrine to the Lord Buddha, Borobudur is also a temple for Buddhist pilgrimage. A pilgrim’s journey begins at the base of the monument and follows a path around the temple. The pilgrim then ascends to the top of the monument through the three realms in the Buddhist cosmology. Those three realms are Kamadhatu (“the world of desire”), Rupadhatu (“the world of forms”) and Arupadhatu (“the world of formlessness”). However, to experience this journey, the pilgrim will first walk through the gate of the temple adorned with a terrifying head which gives the illusion of the gate looking like the open mouth of the giant. The giant head represents Kala (“time”).
Semar is probably one of the oldest characters in Indonesian mythology who was said to not have been derived from Hindu mythology. He was made famous by performances of Wayang (Shadow Puppets) in the islands of Java and Bali as a rather unattractive, short man with breasts, a great sized behind, and uncontrollable urge for farting. However, underneath his peculiar appearance, Semar plays a major part in the Indonesian creation myth as the elder brother of the supreme god Batara Guru (the Hindu god Shiva).
Most European giants are represented as being evil and cruel. The term “giant” and the reputation for cruelty derives from the Gigantes of Greek mythology, who were savage creatures with men’s bodies and serpentine legs.
According to Hesiod, they were children of Gaia and Uranus, born from the blood of Uranus after he had been castrated by his son Cronus. In a war between the Gigantes and the gods of Olympus, called the Gigantomachy, the gods prevailed and the giants were slain or restrained.