The Man of the Sun: The Story of Quetzalcoatl

“[Men] lived like gods without sorrow of heart, remote and free from toil and grief: miserable age rested not on them; but with legs and arms never failing they made merry with feasting beyond the reach of all devils. When they died, it was as though they were overcome with sleep, and they had all good things; for the fruitful earth unforced bare them fruit abundantly and without stint. They dwelt in ease and peace.” – Hesiod.

File:Siemiginowski Allegory of Summer (detail).jpg
“Allegory of Summer”, by Jerzy Szymonowicz (c. 1660 – 1711)

In Greek mythology, Astraea was the goddess of innocence. She was the  daughter of the Titans Astraeus, god of dusk, and Eos, goddess of dawn. Her name meant “star-maiden” and she was on the earth alongside humans during the Golden Age of Man. When the Iron Age dawned, bringing along misery and wickedness, Astraea sadly abandoned the earth and went to the skies where she transformed into the constellation virgo. When Astraea returns to Earth one day, she will once again bring the utopia that was during the Golden Age, bringing an end to human suffering.

File:Quetzalcoatl magliabechiano.jpg

Quetzalcoatl, as depicted in the Codex Magliabechiano (16th century).

In Aztec mythology, Quetzalcoatl was regarded as “The Father of the Toltecs,” and, legend says, was the seventh and youngest son of the Toltec Abraham, Iztacmixcohuatl. Quetzalcoatl became the ruler of Tollan and, by his enlightened sway and his encouragement of the liberal arts, did much to further the advancement of his people.

Quetzalcoatl’s reign had lasted for a long enough period for the cultivated arts to develop to a satisfactory level when his country was visited by Tezcatlipoca. Tezcatlipoca gave him a draught of pulque, which intoxicated him. The doom pronounced upon him was banishment, and he was compelled to leave Anahuac.

As a new age dawned Astraea left earth, taking away the last remaining innocence known to mankind, leaving behind only emptiness. Quetzalcoatl’s exile brought about more peculiar changes upon the country. He threw away his treasures, burned his palaces, transformed the cacao-trees into mosquitoes, and banished all the birds from Tollan. His people, nonplussed at these unexpected happenings, begged him to return, but he refused. He proceeded to Tabasco, the fabled land of Tlapallan and, leaving on a raft made of serpents, floated away to the east. In the native pinturas it is noticeable that the solar disc and semidisc are almost invariably found in connection with the feathered serpent as the symbolical attributes of Quetzalcoal. The Hopi people of Mexico symbolise the sun as a serpent, tail in mouth.

Sunset, Birds, Flying, Sky, Colorful, Colors, Orange

A slightly different version of this myth is perhaps closer to Astraea’s story. It says that, in sadness, Quetzalcoatl threw himself upon a funeral pyre. His spirit rose  upward and were changed into birds of brilliant plumage. His heart also soared into the sky, and became the morning star. As Quetzalcoatl died when the star became visible, the ancient Mexicans gave him the title “Lord of the Dawn.” When he died he was invisible for four days, and for eight days he wandered in the underworld, after which time the morning star appeared and he achieved resurrection. He then ascended his throne as a god.

Perhaps the most important aspect of Quetzalcoatl is that which regards Quetzalcoatl as a god of the air. He is connected with the cardinal points, and wears the insignia of the cross which symbolises them. He has a protruding, trumpet-like mouth, for the wind-god blows. His figure suggests whirls and circles. His temples were built in circular form.

American archaeologist and ethnologist Daniel Garrison Brinton (1837 – 1899) perceived in Quetzalcoatl a similar dual nature. “He is both lord of the eastern light and of the winds,” he writes (Myths of the New World) “Like all the dawn heroes, he too was represented as of white complexion, clothed in long, white robes, and, as many of the Aztec gods, with a full and flowing beard. . . . He had been overcome by Tezcatloca, the wind or spirit of night, who had descended from heaven by a spider’s web, and presented his rival with a draught supposed to confer immortality, but in fact producing an intolerable longing for home. For the wind and the light both depart when the gloaming draws near, or when the clouds spread their dark and shadowy webs along the mountains, and pour the vivifying rain upon the fields.”

An explanation of the origin of Quetzalcoatl is that which would regard him as the Man of the Sun, who has quitted his abode for a season for the purpose of teaching mankind arts which represent the first steps in civilisation. He fulfilled his mission and was displaced by new, invading, deities. Quetzalcoatl was represented as a traveller with staff in hand and, under his rule, the fruits of the earth flourished more abundantly than at any subsequent period.

Several tribes tributary to the Aztecs were in the habit of imploring Quetzalcoatl in prayer to return and free them from the intolerable bondage of the conqueror. Notable among them were the Totonacs, who passionately believed that the sun, their father, would send a god who would free them from the Aztec yoke. On the coming of the Spaniards the European conquerors were hailed as the servants of Quetzalcoatl, thus in the eyes of the natives fulfilling the tradition that he would return.

The titles bestowed upon Quetzalcoatl by the Nahua show that in his solar significance he was god of the vault of the heavens, as well as merely son of the sun. He was alluded to as Ehecatl (“The Air”), Yolcuat (“The Rattlesnake”), Tohil (“The Rumbler”), Nanihehecatl (“Lord of the Four Winds”) and Tlauizcalpantecutli (“Lord of the Light of the Dawn”). The whole heavenly vault was his, together with all its phenomena.

Snake River, Waterfall, Nature, Falls, Rocks, Outdoors