It Ain’t Over till the Fat Lady Sings

Richard Wagner’s 19th century opera, Der Ring des Nibelungen (The Ring of Nibelungen), affectionately known as the “Ring” Cycle, may be considered by many as the height of operatic absurdity, with larger than life staging, costumes and voices. The image is so ingrained in the modern consciousness that opera lovers and non-lovers alike associate the opera, specifically the character of Brunhilde, with a heavy-set female opera singer wearing her hair in pig-tails, costumed with horned helmet and armor. As the opera went on to make its mark on popular culture, from featuring in an episode of Bugs Bunny to inspiring a Quentin Tarantino film, Brunhilde became a more visually recognizable figure.