A woman’s face, dubbed Hilda, was reconstructed from an ancient skull housed in The University of Edinburgh’s Anatomical Museum. Hilda lived between 55 BC and 400 AD and was of Celtic origin. She was probably more than 60 years old when she died, nearly double the life expectancy of the time, as a female’s life expectancy in her era was roughly 31 years. Having a long life during the Iron Age indicates a privileged background. Hilda’s was one of the six ‘Druids of the Hebrides’ skulls presented to the Edinburgh Phrenological Society in 1833. Therefore, Hilda was most likely a female druid.
Five is one of the mystical numbers according to Hindu belief. There are five ingredients prescribed for worship: wine, fish, flesh, lard and chant, corresponding to the five senses in the human body: taste, smell, sight, touch and hearing. It is also believed that nature manifests itself in five forms: earth, water, fire, wind and sky. Each kanya is born of one of these elements, and these five elements of nature formed the essence of their characters.
The Four Great Beauties are four ancient Chinese women renowned for their beauty which they skillfully exercised to influence Chinese history. Although each of the Four Great Beauties frequently appear as the subjects or objects of arts, one seldom learns much of them beyond their names, descriptions of their looks and brief mentions of their skills, which was then preserved by Confucius as part of his philosophy.
Ancient Greek and Roman world gave us many individuals who were celebrities in their day and whose careers provide us with what we recognize today as different aspects of the modern celebrity culture such as endorsements, groupies and 15 minutes of fame – albeit without the terminology. The price of fame in the ancient world is also surprisingly, and in some cases chillingly, similar with what we see today.
Richard Wagner’s 19th century opera, Der Ring des Nibelungen (The Ring of Nibelungen), affectionately known as the “Ring” Cycle, may be considered by many as the height of operatic absurdity, with larger than life staging, costumes and voices. The image is so ingrained in the modern consciousness that opera lovers and non-lovers alike associate the opera, specifically the character of Brunhilde, with a heavy-set female opera singer wearing her hair in pig-tails, costumed with horned helmet and armor. As the opera went on to make its mark on popular culture, from featuring in an episode of Bugs Bunny to inspiring a Quentin Tarantino film, Brunhilde became a more visually recognizable figure.
Although they have the power to change their shape at will and appear as animals, monsters, or beautiful women, sculptures and literatures generally depict the Rakshasas with a terrifying appearance – fearful side tusks, ugly eyes, curling brows and carrying a variety of horrible weapon. But, as with everything else in life, not all Rakshasas are ugly.
Her father Sunda King Lingga Buana gave his blessings and, accompanied by his queen and ministers, he travelled with his daughter to Trowulan, the capital of Majapahit, for her marriage to Majapahit ‘s king. As the Sunda king arrived in Majapahit, they were welcomed by none other than Gajah Mada himself.
Legends about the Ebu Gogo go back to early western exploration of Flores by the Portuguese in 1511 CE, who heard that there was a tribe of wild men and women who stole food and kidnapped children.
They are rarely mentioned in historical records but female warriors have increasingly been studied and researched. Of female martial artists, the accounts are rarer still, and generally become a mix of historical facts and legends. One such story is the Shaolin Abbess Ng Mui, her student Yim Wing Chun, and their roles in the conception of a martial art called the Wing Chun Kung Fu.
The picture of a powerful empire politically and culturally dominating the whole of the Indonesian Archipelago is attached to the “Golden Age” of Majapahit in the fourteenth century. It was the time of the famous poets Prapafica and Tantular, and of the sculptors of reliefs that have been preserved on the Surawana, Tigawangi and Kedaton temples. The two men largely credited for this success are the great king Hayam Wuruk (1350-1389 CE) and the prime minister Gajah Mada—both their names and likenesses are still venerated in the region today. Gajah Mada especially is credited with bringing the empire to its peak of glory and serves as an important national hero in modern Indonesia—a symbol of patriotism and national unity. However, paving the way for the two heroes was a woman
One afternoon in the 1960s, the people of Magelang in Java, Indonesia, gathered on the edge of the main road which connects Magelang and Yogyakarta and sounded anything they could find which could make a loud noise. After some time, the wind blew from the south. This southern wind, according to the local legend, was a Lampor. A Lampor refers to trips to several regions in Java which are carried out by the soldiers of Nyi Roro Kidul, the mythical Queen of the Southern Seas, led by her commander Nyi Blorong.
As the bird is the symbol of the spirit of life, the serpent is the symbol of the sting of death. This was a very wide-spread ancient belief. The association of the bird and the serpent to life and death goes back to the last part of the stone age, later represented by ancient Greek’s Medusa, all the way to ancient China where the two animals are revered as embodiments of power and nobility.