History made Beautiful
Antonin Dvorak’s opera Rusalka, based on Slavic folklore, was first performed in Prague on March 31, 1901, and went on to become one of the most successful Czech operas. The opera’s Měsíčku na nebi hlubokém (“Song to the Moon”) is frequently performed in concert and has been recorded separately to this day.
Mesopotamia was in turmoil during the third millennium BCE. The conquest of Sargon the Great resulted in the formation of the world’s first great empire. Akkad grew to be one of the world’s largest cities, and northern and southern Mesopotamia were united for the first time in history. Enheduanna, Sargo of Akkad’s daughter, is a fascinating character in this historical setting.
The word ‘shaman’ conjures up images of medicine men smoking peace pipes, dancing in a trance to drumming around a fire or African sangomas, adorned with leopard skin, throwing dollose bones and shells to divine and drinking beer from calabash. This is far removed from the concept of sophisticated, regal shaman queens of the East in China, Japan and Korea who used their talent and connection with the ‘Otherworld’ to the benefit of their kingdoms and populace. Later this feminine healing power was suppressed and persecuted by religious men, who regarded it as a threat to their faith.
Courtly love was sensual love for an unattainable, idealised lady, but it was essentially pure, which prohibited physical consummation – imagine all of the angst, desire, and jealousy that could incite passion if there was no physical release. That was the theory, at least.
Fredegund (545 – 597 CE), the queen consort of Chilperic I – the Merovingian Frankish king of Soissons, has a reputation of being one of the most bloodthirsty and sadistic women in history. Accounts by Gregory, the Bishop of Tours (539 – 594 CE), depict her as a murderous lady who achieved power through her husband and used it to keep his kingdom in a state of war for more than forty years. She was also known as an early exponent of dirty warfare who relied heavily on poison and other covert operations
In the late 20th century, the concept of a link between appearance and “immoral” behaviour fully emerged, rendering the saying “never judge a book by its cover” pointless. This time, rather than mythical kings, it was minority groups that were frequently targeted.
There was silence for a moment after the matron appeared—and then the “Diggers,” like one man, sprang up and cheered and cheered…
In his Argonautica, ancient Greek author Apollonius of Rhodes provides a rather romantic introduction of Medea as a young woman desperately in love. Unfortunately, this introduction quickly takes on a sinister turn and casts Medea as one of the most infamous and controversial figures in Greek mythology.
Despite the misogyny in the ancient world, discussions and debates about gender equality has also started (or, at least, made famous) by an unlikely source: male philosophers.
if the gorgeousness of the Greek goddess of love has been established as scholarly facts, what else can be said about her? Looking at classical arts alone, Aphrodite seems to have no distinctive attributes other than her beauty, however, she was much more than just beautiful.
Sixteenth century Theologian Martin Luther has referred to Melusine unfavorably several times as a succubus and nineteenth century composer Felix Mendelssohn wrote a concert overture titled “The Fair Melusina”. These days, images of Melusine are still seen in the Vendée region of Poitou, western France, where one can drink Melusine-brand beer and eat Melusine-style baguettes. In Vouvant, paintings of her and her sons decorate the “Tour Melusine,” the ruins of a Lusignan castle guarding the banks of the River Mère, where visitors of the tower can lunch at the Cafe Melusine nearby. The image of Melusine is so famous and enduring that, perhaps without knowing her by name, we still recognize her image today as the logo for Starbucks Coffee.
The last of the four regions of the Underworld is the Fields of Mourning, which are reserved for the souls of those who died of a broken heart. Those souls “wander in paths unseen, or in the gloom of dark myrtle grove: not even in death have they forgot their griefs of long ago” (Aeneid, Book 6, line 426). Some of the most famous inhabitants of the Fields of Mourning are Dido, Phaedra, Procris and Laodamia.
Martini Fisher 