if she ended up being a wife of a low-ranking official or a well-off merchant, Julia would have been perfectly content. But she wasn’t. Being the daughter of the first emperor of Rome meant that it was her destiny to be a part of the political maneuverings of the empire whether she wanted to or not.
As the bird is the symbol of the spirit of life, the serpent is the symbol of the sting of death. This was a very wide-spread ancient belief. The association of the bird and the serpent to life and death goes back to the last part of the stone age, later represented by ancient Greek’s Medusa, all the way to ancient China where the two animals are revered as embodiments of power and nobility.
Historians often write them off as mad women. The name Maenad evenliterally translates as the “raving ones”. But these women are much more than that. They are sacred worshippers and holy priestesses to the god of wine, madness and frenzy – Dionysus.
Marriage is a beautiful thing. However, even the most optimistic among us will agree that marriages are challenging and takes a lot of work to maintain. It is so challenging that it takes two people to maintain a working marriage – the two people are, of course, the husband and wife who want to make it work. Some marriages maybe downright difficult, miserable and even unsalvageable at times. Even Hera, the ancient Greek goddess who were actually in charge of family and marriage, had to constantly battle the many infidelities of Zeus, her philandering husband.
While we reject the idea that brunettes are mousy or that gentlemen prefer blondes, we do have to concede that going platinum made Marilyn Monroe’s career as she lightened her brown hair early in her modeling days and never looked back. In fact, Hollywood saw the emergence of many blonde actresses from 1930’s to the 1950’s. Epitheths such as “screen siren” or “cinematic goddess” were attached to the most popular blonde actresses of the day, including Monroe herself. Her face always seemed lit from within. Her secret: facial hair. Seriously. It was actually a thin layer of downy peach fuzz on her cheeks that caught the studio lights just so and gave her the effect of a “glow”. By the magic of cinematic lighting, pale skin and blonde hair were made to look like the closest approximation of what the viewers’ imagine goddesses would look like.
Empress Euphemia’s rose from a freed slave to the most powerful woman in Rome in her time through her marriage to Justin I (450-527 CE). Historia Arcana (“Secret History”) by Procopius of Caesarea (c. 500 – c. 554) introduced the Empress Euphemia as Lupicina – a slave and a barbarian concubine of her owner.
As fire is considered to be an agent of purity and as a symbol of righteousness and truth, a sacred fire is often a place for the offering of sacrifices and prayers. Therefore, those entrusted with tending this flame often held a sacred, important and very demanding role in the culture.
These female demons have much in common. They are all physically hideous, anti-mothers in one way or another, and they are all childless or give birth in abnormal ways. They are dangerous and threaten humans with both diseases and death. But they were not always demons.
The art of dance was incorporated in many religious rituals and festivals of ancient civilizations. From the third millennium BC, ancient Egyptians started to use dance as an integral part of their religious ceremonies, using dancers to perform important events such as divine tales and celestial patterns of shifting sun and stars. In ancient Greece, dance was very freely used for public purposes until it eventually brought about the birth of the popular Greek theatre in the 6th century BC. The first person in history to be called drummer was a woman – a Mesopotamian priestess, in fact.
Throughout history, women were pharmacists, cultivating healing herbs and exchanging the secrets of their uses. They were also nurses, counselors and midwives who traveled from home to home and village to village. They have always been healers. In around 3500 BCE, Queen Puabi of Ur was buried with surgical instruments so that she might practice surgery in the afterlife. Later in history, though, spoil-sport King Henry VIII of England proclaimed that “No carpenter, smith, weaver or women shall practice surgery.”