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By Martini Fisher Posted on

Stories of the Little Emperors: Some Babies Shake Up Kingdoms

Some babies shake rattles and others shake up kingdoms. We hear many stories of the unhappy lives and ends of child rulers. Most recently, in 1908, Puyi became the last emperor of China at only two years old. As the crowning ceremony began, the frightened little emperor had to be carried to the throne by his father as he cried, kicked, and clawed – desperately trying to escape. But he had no choice. A child though he was, he had to rule an empire.

By Martini Fisher Posted on

Battle of the Tragic Heroes: Legends of India’s Karna, Greek’s Achilles and Ireland’s Ferdiad

Every culture had strong influences on each other and their legends. A minor example of this can be seen in something as simple as a body armor – Ancient India’s Karna’s kawach (“armour”) has been compared with that of Ancient Greek’s Achilles’ Styx-coated body and with Ancient Irish warrior Ferdiad’s horny skin that could not be pierced.

By Martini Fisher Posted on

The Rape of Lucretia: Politics and the Woman’s Body

We would often see her images and, perhaps just as often, forget her name. In paintings, she is a beautiful tragic figure, looking up helplessly towards a Roman soldier standing over her. However, in 16th century Europe, there was no other ancient name that fuels an artist’s imagination like “Lucretia”.

By Martini Fisher Posted on

“For Pleasure, Pure and Simple”: the History of Chinese Opera

In “Civilization of China” (1911), Herbert Giles wrote that “for pleasure pure and simple, independent of gains and losses, the theater occupies the warmest place in every Chinaman’s heart”. The fact that the Chinese theater is also known by the name guo cui (“quintessence of the nation”) solidifies its prestige as the most important form of entertainment in China where it has been for centuries.

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